DegenerateSupreme

@DegenerateSupreme@lemmy.zip
1 Post – 3 Comments
Joined 1 months ago

I was naive to think they'd try easing into this stuff, but — perhaps fortunately for public outrage and taking action — they are being loud and clear about it. Really just no subtlety whatsoever to the fascist horror.

Watching the count last night, I remarked to my friend that Democrats lost people in the middle—the undecided voters whose existence I struggled to understand a few months ago—because they don't actually have any principles and convictions; if they did, they'd eventually have to address issues that neoliberal capitalists want people to ignore, so they remain ineffectual and uninspiring.

Thus, white middle-class centrists who don't actually comprehend the threat to minority groups drifted back into their nostalgic dreams of 'smaller government' and 'lower taxes', regardless of being presented no evidence those things will be delivered. In their minds, those theoretical ideals are more exciting than another establishment Democrat with no values who does nothing to speak to their woes.

Agreed. The problem is that so many (including in this thread) argue that training AI models is no different than training humans—that a human brain inspired by what it sees is functionally the same thing.

My response to why there is still an ethical difference revolves around two arguments: scale, and profession.

Scale: AI models’ sheer image output makes them a threat to artists where other human artists are not. One artist clearly profiting off another’s style can still be inspiration, and even part of the former’s path toward their own style; however, the functional equivalent of ten thousand artists doing the same is something else entirely. The art is produced at a scale that could drown out the original artist’s work, without which such image generation wouldn’t be possible in the first place.

Profession. Those profiting from AI art, which relies on unpaid scraping of artists’s work for data sets, are not themselves artists. They are programmers, engineers, and the CEOs and stakeholders who can even afford the ridiculous capital necessary in the first place to utilize this technology at scale. The idea that this is just a “continuation of the chain of inspiration from which all artists benefit” is nonsense.

As the popular adage goes nowadays, “AI models allow wealth to access skill while forbidding skill to access wealth.”